Fatehpur Sikri

Fatehpur Sikri (Hindi: फतेहपूर सिकरी, Urdu: فتحپور سیکری) is a city and a municipal board in Agra district in the state of Uttar Pradesh, India. It was the political capital of India's Mughal Empire under Akbar's reign, from 1571 until 1585, when it was abandoned, ostensibly due to lack of water. It is located in what is now Uttar Pradesh, India.

Built in honour of Sufi saint Salim Chishti in 1571 by Mughal emperor Akbar.

The fort is situated at 27° 05' N latitude and 77° 39' E longitude and a mean altitude of 708 meters above sea level.

Fatehpur Sikri shared its imperial duties as a capital city with Agra, where a bulk of the arsenal, treasure hoards, and other reserves were kept at its Red Fort for security. During a crisis, the court, harem, and treasury could be removed to Agra, only 26 miles away, less than a day's march.

Innovations in land revenue, coinage, military organisation, and provincial administration emerged during the Fatehpur Sikri years.

It is regarded as Emperor Akbar's crowning architectural legacy. Indeed, its numerous palaces, halls, and masjids satisfy his creative and aesthetic impulses, typical of Mughals.

Fatehpur Sikri is a World Heritage Site. Some contemporary Indian architects, notably B. V. Doshi, have cited it as an important source of inspiration. Architect or layperson, this city generally captures the imagination and wonder of all who experience its urban spaces and see its buildings. Charles and Ray Eames, cited Fatehpur Sikri in the landmark 'India Report' that led to the conception of the National Institute of Design, India's premiere design school. It is here, that the legends of Akbar and his clever courtier Birbal must have arisen. Another of his navaratnas, Tansen, perhaps had performance spaces integrated within the architecture of this fort.

The layout of the city shows a conscious attempt to produce rich spatial effects by the organization of built forms around open spaces in interesting ways. Of particular note is the way in which shifts in axes occur as one moves along the city and the location of squares in important places with buildings forming a backdrop or envelope.

Unlike other important Mughal cities (such as Shahjahanabad, which has a very formal planning), Fatehpur Sikri has aspects of informality and improvisation. Indeed, the newly constructed city bore a similarity to the movable imperial encampment also designed by Akbar.

The buildings of Fatehpur Sikri show a synthesis of various regional schools of architectural craftsmanship such as Gujarati and Bengali. This was because indigenous craftsmen from various regions were used for the construction of the buildings. Influences from Hindu and Jain architecture are seen hand in hand with Islamic elements. The building material predominantly used is red sandstone, quarried from the same rocky outcrop on which it is situated.

Some of the important buildings in this city, both religious and secular buildings, are:

• Naubat Khana – Drum house: near the entry, where important arrivals are announced.
• Diwan-i-Am – Hall of Public Audience: a building typology found in many Mughal cities where the ruler meets the general public. In this case it is a pavilion like multi-bayed rectangular structure fronting a large open space.
• Diwan-i-Khas – Hall of Private Audience: famous for its central pillar with thirty-six voluted brackets supporting a circular platform for Akbar.
• Raja Birbal's house: the house of Akbar's favourite minister, who was a Hindu. Notable features of the building are the horizontal sloping sunshades or chajjas and the brackets which support them.
• Jodhabai's palace: The building shows Gujarati influence and is built around a courtyard, with special care being taken to ensure privacy.
• Pachisi Court: a square marked out as a large sized board game (modern day Ludo) where live coins- people- participated.
• Char Chaman Tank: a tank with a central platform and four bridges leading up to it.
• Panch Mahal: A five-storied palatial structure. The bottom floor has 176 intricately carved columns.
• Buland Darwaza – the 'Gate of Magnificence': one of the gateways to the Jami masjid, a stupendous piece of architecture from the outside, gradually making a transition to a human scale in the inside.
• Jama Masjid: the mosque, built in the manner of Indian mosques, with liwans (aisles) around a central courtyard. A distinguishing feature is the row of chhatris (small domed pavilions) over the sanctuary.
• Tomb of Salim Chisti: a white marble encased tomb within the Jama mosque's courtyard.

Building of Fathehpur Sikri	The five-storey Panch Mahal	The Tomb of Salim Chisti	Buland Darwaza
Detail of carving	View across Fatehpur Sikri	Central pillar of Diwan-i-Khas